The Last Mixed Tape
Irish Indie Music News, Reviews, Interviews and Playlists
The Last Mixed Tape reviews Spitting Image, the much-anticipated third studio album from the Strypes. If the Strypes debut album Snapshot was a 1960’s blues-rock throwback than the group’s latest effort Spitting Image sees the […]
The Last Mixed Tape reviews Pips, the brand new extended play from singer-songwriter Rosa Nutty. Pips is a much darker, deeper record than its title and cover would lead you to believe. […]
The Last Mixed Tape reviews Trust The Wire, the latest studio album from indie-rock band the Coronas. Trust The Wire is an album. To elaborate, Trust The Wire is an album you’ve heard a […]
The Last Mixed Tape reviews Pop! Goes The Weasel, the third E.P. from noise-rock outfit Thumper. Thumper’s rip it up and start again approach, quite possibly makes the best use […]
The Last Mixed Tape reviews In The Still, the brand new studio album from Come On Live Long. In The Still is an album built from a clear sense of space and […]
The Last Mixed Tape reviews Turn Your Face To The Sun, the brand new studio album from I Draw Slow. What Turn Your Face To The Sun sets out to do, it does […]
The Last Mixed Tape reviews Precession, the debut studio album from electronic duo Ships. Precession is the kind of album that makes me glad to be a critic. It took me completely by […]
The Last Mixed Tape reviews Feeler, the debut studio album from Dublin garage-punk trio Alien She. Feeler is garage-punk that finally gets the punk aspect of the term. While the […]
The Last Mixed Tape reviews Wild Alee, the highly anticipated debut studio album from Talos. Wild Alee is monolithic. An imposing body of sound that reaches right into the depths of its […]
The Last Mixed Tape reviews Life Love Flesh Blood, the fifth studio album by Imelda May. Much was made of Imelda May’s “new look” during the build up to Life Love Flesh […]
The Last Mixed Tape reviews the self-titled debut studio album from indie-rock duo Darling. Darling’s eponymous first full length offering is an ambitious one. With an expansive production that opens up […]
The Last Mixed Tape reviews Placemats and Second Cuts, the debut solo album from alternative-pop artist Marlene Enright. “Hide Me In A Corner. Don’t Wanna Talk to Anybody. I’m A Suit […]
The Last Mixed Tape reviews Born Brief, the debut studio album from Gypsies on the Autobahn. A vivid mix of indie and pop stylisation, Born Brief can be turbulent listen one moment and […]
The Last Mixed Tape reviews Fleas & Diamonds, the new sophomore studio album from Our Krypton Son. Fleas & Diamonds leaves with a long-lasting impression. The sprawling melodic-pop via indie-folk music of […]
The Last Mixed Tape reviews garage-pop band Party Fears self-titled debut studio album. Regular readers of TLMT would be forgiven for thinking I’d be instantly predisposed into liking Party Fears, and […]
The Last Mixed Tape reviews Conversations, the debut extended play from synth-pop artist Ódú. The vivid day glow synth-pop world of Conversations is undeniably inviting. From the tropical sounds of ‘Different’ to the […]
