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music blog
January 24, 2026
Why Women in Music Are Labelled “Difficult” — Gender, Power, and the Music Industry
Stephen White
January 11, 2026
Capitalism Colonises Culture: Napster, Streaming, and the Devaluation of Music
Stephen White
November 15, 2025
Charli XCX and John Cale’s ‘House’: A Deep Dive Into Her Gothic New Era and Wuthering Heights Soundtrack
Stephen White
November 9, 2025
The Specials’ “Ghost Town”: How Lankum Reimagined a Protest Song for Modern Ireland | The Last Mixed Tape
Stephen White
August 23, 2025
Florence + The Machine Releases New Single “Everybody Scream” and Announces Album
Stephen White
August 17, 2025
U2’s Gaza Statement Compared to Sarajevo: Music and Protest Across Decades
Stephen White
August 9, 2025
For Those I Love’s Carving the Stone Explores Grief, Class, and Toxic Masculinity in Modern Ireland | Album Review
Stephen White
August 2, 2025
Gemma Dunleavy’s Up De Flats at 5: Sheriff Street, Dublin’s Working-Class Voice, and the Fight Against Gentrification
Stephen White
July 5, 2025
Bob Vylan at Glastonbury 2025: Censorship, Protest Music, and the Fight for Free Expression
Stephen White
June 21, 2025
Why Mo Chara’s Irish Language Stand in Court Matters Now More Than Ever
Stephen White
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