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live music
August 23, 2025
Florence + The Machine Releases New Single “Everybody Scream” and Announces Album
Stephen White
August 17, 2025
U2’s Gaza Statement Compared to Sarajevo: Music and Protest Across Decades
Stephen White
August 9, 2025
For Those I Love’s Carving the Stone Explores Grief, Class, and Toxic Masculinity in Modern Ireland | Album Review
Stephen White
August 2, 2025
Gemma Dunleavy’s Up De Flats at 5: Sheriff Street, Dublin’s Working-Class Voice, and the Fight Against Gentrification
Stephen White
July 19, 2025
Oasis Reunion: Why ‘Champagne Supernova’ Still Captures the Band at Their Peak
Stephen White
June 28, 2025
Why Sinéad O’Connor’s Protest on SNL Still Echoes Today
Stephen White
June 21, 2025
Why Mo Chara’s Irish Language Stand in Court Matters Now More Than Ever
Stephen White
June 14, 2025
Fontaines D.C., Blindboy & Ireland’s Lost Generation: In The Modern World Explained
Stephen White
May 31, 2025
Kanye West Pro-Hitler Song: What Happens When the Artist Who Art Saved You Becomes Someone You Can’t Defend?
Stephen White
May 3, 2025
Kneecap, Glastonbury and the Politics of Protest Music: Why Free Expression Still Faces Censorship
Stephen White
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