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Dublin
September 20, 2025
Why Fascists Fear Music And Why They Can’t Create It
Stephen White
September 14, 2025
Why Kate Bush’s Wuthering Heights Is the Greatest Adaptation of Emily Brontë’s Novel
Stephen White
September 6, 2025
Kneecap Release New Single Sayōnara – A Defining Moment for Irish Culture in 2025
Stephen White
August 23, 2025
Florence + The Machine Releases New Single “Everybody Scream” and Announces Album
Stephen White
August 17, 2025
U2’s Gaza Statement Compared to Sarajevo: Music and Protest Across Decades
Stephen White
August 9, 2025
For Those I Love’s Carving the Stone Explores Grief, Class, and Toxic Masculinity in Modern Ireland | Album Review
Stephen White
August 2, 2025
Gemma Dunleavy’s Up De Flats at 5: Sheriff Street, Dublin’s Working-Class Voice, and the Fight Against Gentrification
Stephen White
July 19, 2025
Oasis Reunion: Why ‘Champagne Supernova’ Still Captures the Band at Their Peak
Stephen White
July 13, 2025
Clipse ‘Let God Sort Em Out’ Is a Ruthless Reinvention of Rap Competition
Stephen White
July 5, 2025
Bob Vylan at Glastonbury 2025: Censorship, Protest Music, and the Fight for Free Expression
Stephen White
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