January 16, 2023Stephen White1 Comment on Review | “unveiling the wider world of The Murder Capital” The Murder Capital – Gigi’s Recovery Review | “unveiling the wider world of The Murder Capital” The Murder Capital – Gigi’s Recovery
November 17, 2022Stephen White1 Comment on Review | “Moves with balletic intricacy” Anna Mieke – Theatre Review | “Moves with balletic intricacy” Anna Mieke – Theatre
November 9, 2022Stephen White1 Comment on Review | “The story of Crude is in the telling” David Keenan – Crude Review | “The story of Crude is in the telling” David Keenan – Crude
October 26, 2022Stephen White1 Comment on Review | “As thrilling as it is hypnotic” Aoife Nessa Frances – Protector Review | “As thrilling as it is hypnotic” Aoife Nessa Frances – Protector
October 23, 2022Stephen White Review | “World Still Blue isn’t Bernard Shaw’s glass mirror but rather a looking glass” Rosa Nutty – World Still Blue
October 20, 2022Stephen White1 Comment on Review | “Moves balletically through a well-woven web of post-modernist pop” Clara Tracey – Black Forest Review | “Moves balletically through a well-woven web of post-modernist pop” Clara Tracey – Black Forest
October 18, 2022Stephen White Review | “An expansive milieu carved out of mood and meaning” Columbia Mills – Heart Of A Nation
October 9, 2022Stephen White Review | “A debut record that defines itself with individuality” Farah Elle – Fatima
October 6, 2022October 6, 2022Stephen White1 Comment on Review | “Most Normal has much in common with the dissembled elements found in Picasso’s epic, Guernica” Gilla Band – Most Normal Review | “Most Normal has much in common with the dissembled elements found in Picasso’s epic, Guernica” Gilla Band – Most Normal
October 4, 2022October 4, 2022Stephen White1 Comment on Review | “Designed around an internal sense of drama” Talos – Dear Chaos Review | “Designed around an internal sense of drama” Talos – Dear Chaos