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The Last Mixed Tape
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Stephen White
May 18, 2025
Maria Somerville’s Luster and the Rise of Irish Dream Pop: A Review and Reflection
Stephen White
May 10, 2025
How Irish Music Is Reclaiming National Identity in 2025
Stephen White
May 3, 2025
Kneecap, Glastonbury and the Politics of Protest Music: Why Free Expression Still Faces Censorship
Stephen White
April 26, 2025
Kneecap at Coachella: Protest, Backlash, and Why It Still Matters
Stephen White
April 18, 2025
Lana Del Rey’s New Songs ‘Henry, Come On’ and ‘Bluebird’ Explore Escape and Emotional Stillness
Stephen White
April 12, 2025
Bon Iver’s SABLE, fABLE: A Hopeful, Genreless Epilogue
Stephen White
April 5, 2025
Drake’s ‘Nokia’ and the Kendrick-Sized Shadow
Stephen White
March 29, 2025
CMAT’s Running / Planning Proved Me Wrong – Why I Can’t Wait for Euro Country
Stephen White
March 15, 2025
Exploring U2’s Dark Anthem: Hold Me, Thrill Me, Kiss Me, Kill Me
Stephen White
March 9, 2025
Chappell Roan’s Pink Pony Club: The Unexpected Anthem
Stephen White
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