Glastonbury 2025 became one of the most politically charged festivals in recent memory, from Bob Vylan’s explosive set being investigated by police, to Kneecap’s BBC censorship, and Rod Stewart backing Nigel Farage in the press.
In this episode of The Last Mixed Tape, we explore the growing tension between protest art and platform control, and ask: Who gets to speak freely on the biggest stages and who gets silenced?
With Palestinian flags in the air, a woman live-streaming censored sets in real time, and police watching musicians instead of listening to them, we’re witnessing a major shift in how protest music is treated.
The Last Mixed Tape is hosted by Stephen White.






