This week on The Last Mixed Tape, I explore my personal connection to Kanye West’s Through the Wire, a song that helped me survive a near-fatal accident 20 years ago and reckon with what it means to love a piece of art when the artist behind it becomes indefensible.
Kanye West’s most recent release ‘Heil Hitler’, featuring praise of Hitler, crosses every line and forces a deeper conversation about artistic intent, freedom of expression, and what we do with the work left behind when creators betray their own legacy.
This episode is about survival, memory, and the uneasy space between loving a song and condemning the person who made it. It’s also about choice and why it should be ours, not the state’s, to make.
The Last Mixed Tape is hosted by Stephen White.
The Last Mixed Tape 