In this episode, we dive deep into the eerie and enigmatic world of David Lynch’s music, focusing on his 2011 album Crazy Clown Time. Known for his surreal films like Blue Velvet and Mulholland Drive, Lynch’s approach to sound design has always been integral to his storytelling. But how does this translate to a full album of haunting, experimental music?
Join host Stephen White as we explore the connections between Lynch’s groundbreaking use of music in his films—like the industrial hum of Eraserhead or the haunting melodies of Twin Peaks—and the unsettling sonic landscapes of Crazy Clown Time. What does this album reveal about Lynch’s artistic vision and his legacy as a creator? Let’s find out on The Last Mixed Tape.
The Last Mixed Tape 